Commenter Mike recently laid out a nice explanation of the line numbering system in Aachen, Germany, and then asked, fatefully:
How do professionals assign line numbers?
The answer is: Much as geeky amateurs do, when drawing imaginary networks. It's a process of (1) imagining beautiful systems of order, and (2) willing them in to being. Unfortunately, real-world professionals have to proceed through the additional steps of (3) clashing with proponents of competing systems, (4) enduring the derision and sabotage of anarchists, and finally (5) resigning to a messy outcome where only traces of beauty remain, visible "between the lines" so to speak, for those still capable of enchantment.
All this is visible, for example, in a slice of the bus network in San Francisco:
Look at the numbers of the east-west lines, from top to bottom, focusing on the right part of the image between Fillmore and Van Ness avenues, where the pattern is clearest. The sequence is: 1, 2, 3, 38, 38L, 31, 5, 21, 6, 71. Here, obviously, is a kind of Parthenon of line numbering, a ruined but still recognizable system of order: At one time, starting with Line 1 and proceeding south, there was a series of lines numbered 1, 2, 3, 4, 5, 6, 7, in more-or-less geographical order. The numbers 31, 38 and 71 were added later, by those anarchists I mentioned. (Lines 4 and 7 perished only in 2009.)
The number 21 is a trace of a different system of order. Originally, the one-digit numbers referred to lines that flow into downtown, mostly along Market St., while the 20-series referred to lines that cross Market, generally running perpendicular to the first group. The north-south lines 22 and 24 in this image still tell that story, and as I understand it, the 21 used to flow across Market, though it was revised long ago to flow into Market and thus ruin the beautiful pattern.
Line numbering, in short, is really a dialogue between three impulses:
- Grand Synthesizing Visionaries, who imagine schemes where each number will not just refer to a line, but reveal its exact position and role in the network. For example, these visionaries may think up schemes that recall the patterns of numbered streets and avenues in many North American cities, or the similar numbering of the US Interstate system.
- Anarchists, who need a number for a new line, don't care about the vision, and pick whatever number comes to mind.
- Conservatives, who believe that once a line number is assigned it should never be changed, no matter how offensive it may be to the Visionaries. Conservatives are responsible for the permanence of various reckless numberings made by Anarchists over the years.
Of course, there are really four or more characters in the dialogue, because there's usually more than one Visionary, and Visionaries, by their nature, prefer their own visions to other people's.
The most common vision of line numbering is to categorize lines by location. In small networks of lines all radiating from a point, it's common to see numbers assigned sequentially going around the circle. In Portland, for example, these radial lines used to be numbered clockwise starting with North Portland, and very astute eyes can still see traces of that largely ruined pattern.
Networks that have always been grids will sometimes be numbered according to the grid pattern. Thus, for example, a quick glance at the Las Vegas network map shows that the east-west lines, in order from south to north, are 201, 202, 203, 213, 204, 206, 207, 215, 208, 209, 210, 211, 218, 219 -- a reasonable effort to hold back the anarchists.
I started out life happy to number lines in geographical order, but over time I've realized that people need to understand what kind of service a line provides even more than they need to know where it goes. So I generally advocate line numbering systems that reflect crucial distinctions in either
- frequency and span (is the service running when I need it?) or
- rapid vs local stopping pattern (is the service designed to be ridden long distances or short ones?)
For example, I always recommend a numbering scheme for peak-only commuter express services that distinguishes them from any all-day services in the same area, becuase peak service tends to be more complex than all-day service and can therefore tend to obscure it, whether on a map or on a numerical list of lines.
But above all, line numbering is a lesson in the impermanence of all things, and especially of visions of the perfectly ordered city.